Sunday, September 8, 2019 at 7:30pm
Monday, September 9, 2019 at 7:30pm
Callbacks: Tuesday, September 10, 2019 at 8:00pm
Directed by Jan Isaacson
Choreographed by Jan Isaacson
Opens Friday, November 1, 2019
The ultimate stage mother. Lives her life vicariously through her two daughters, whom she's put into show business. She is loud, brash, pushy and single-minded, but at times can be doting and charming. She is holding down demons of her own that she is afraid to face. Her voice is the ultimate powerful Broadway belt. Minimal dance but must move well. Comic timing a must. Strong Mezzo/Alto with good low notes and belt.
Shirley Temple-like up-and-coming vaudeville star, and Rose's youngest daughter. Her onstage demeanor is sugary-sweet, cute, precocious and adorable to the nth degree. Strong singer, strong dancer and taps. Mezzo.
She should look a couple years older than Baby June. She is Madam Rose's brow-beaten oldest daughter, and has always played second fiddle to her baby sister. She is shy, awkward, a little sad and subdued; she doesn't have the confidence of her sister. Strong acting skills needed. The character always dances slightly out of step but the actress playing this part must be able to dance. Mezzo singer.
Agent for Rose's children and Rose's boyfriend and a possible husband number 4. He has a heart of gold but also has the power to defend the people he loves with strength. Minimum dance. A Baritone, sings in one group number, two duets and trio with Rose and Louise. Strong acting role.
Baby June as a young teenager. The older she gets, the less she enjoys being her mother's trained monkey. Strong Alto, must be able to belt a song and have decent dancing skills.
Baby Louise as a teenager, who grows up to be Gypsy Rose Lee. Still pushed aside by Madam Rose in favor of June, until she herself becomes her mother's new pet project. Should be able to move well.
A stripper just past her prime. Big Broadway voice (Mezzo Belt), strong movement/dance, ballet training helpful. A burlesque dancer that shares her dressing room with Louise. She was once a ballerina and still has some of the moves. A course broad who's been around the block. Very funny.
A stripper just past her prime. Big Broadway voice (Mezzo Belt), strong movement/dance. Ditzy and sweet.
Speculated by many to be the greatest of all American musicals, Gypsy tells the story of the dreams and efforts of one hungry, powerhouse of a woman to get her two daughters into show business. Gypsy is loosely based on the 1957 memoir of famous striptease artist Gypsy Rose Lee, entitled Gypsy: Memoirs of America’s Most Celebrated Stripper. The memoir and the musical focus on the story of Gypsy Rose Lee’s mother, Rose, and earned Rose a place in the theatrical and literary canon as the quintessential, archetypal “Stage Mother.” The musical features songs that have become standards of the musical theatre canon, including “Some People,” “Let Me Entertain You,” “Rose’s Turn,” and the show-stopping, “Everything’s Coming Up Roses”. Gypsy is famous for helping launch lyricist Stephen Sondheim’s career, and features a book by Arthur Laurents that is widely considered to be one of the classic examples of a traditional “book musical.”